This section collects and curates literary works which speak to the contemplation over becoming, it indulges in the deliberations over what, why, and who one wants to be. The questions surrounding being help us ask the questions regarding our ideas about our self, nature and how we aspire and toil towards the stature we attest to ourselves. Connoisseurs treat a blank paper as an audience with which we communicate and contemplate through different literary devices to form a more informed idea of ourselves.
This anthology cabinets the self in memories of desires and dreads through the dialogues they instigate between the self, the seeming self and the aspirational self. These poems archive the self's quest to pertain and perpetuate love in the face of all odds (as well as, the odds that it faces in the quest of understanding and finding what love is), especially the likes that boomerangs back to one's self, considering the most nerve wrecking love story is the one we have to write with ourselves (when family, friends and lovers are out of the frame) and every breathe feels like a bird we need to tame. The poem document the negotiation for acceptance and peace in the face of the turmoil that the longing of desires instate and further the contemplations on what one seeks to rid one's self from the innate rage of being adrift from where and what one hopes to be.
Fishing and being fished is an everyday affair, such that we are seldomnly aware of the webs we weave and are weaved into. Making sense of the universe and the questions pertaining to infinity can only be fairly undertaken with the acknowledgement of the finitude of our comprehension. These collections of poem find inspiration from nature and geometry to understand the logos (logic and language), as well as, the pathos (feelings and emotions) that shape our reality and wonders how and when are we shaped into it. This anthology comprises of poems that are composed to reflect upon the contemplations on the seven hermeneutic principles, concerning (i) mentalism, (ii) correspondence, (iii) vibration, (iv) polarity, (v) rhythm, (vi) cause and effect, as well as (vii) gender. These poetic compositions attempt to document and archive the poet's internal musings upon the asynchronous synchronosity of the latent geometry that the self experiences through its movement across time and space.