Thorughout human histroy, the philosphers and prophets of the world have contemplated upon the dance between the lights and shadows, arguing how one takes precedence over other and how either the flame or its absence should be praised, propogated or procured, although, Connoisseurs attempt to stretch the discourse towards 'creating the light', instead of merely seeking it. This undertaking is fueled by re-examining the current state of knowledge and revaluating the questions pertaining to the 'orchestrators' and the 'orchestrated' for examining the metrics upon which the imagination of cosmic dance is premised.
Tracing and tailing the source of contemplative knots that have tied humanity together through the message of living with love and lamenting the grief stricken heart that is burdened with guilt and obligations towards one's past, as well as, the anxities weaved about one's future.
The construction of associations and technologies that could help garner a better understanding of the self, the world and the archeological/archaic premises upon which the perspicacity of humanity rests.
Addressing the requisites and solutions for the future of knowledge creation
Ashraya hums the pleasures and perils of living and loving in this ephemeral age. He finds songwriting to be a segue to share his soliloquies with melodies. His love for poetry informs his rhyme, rhythm and meter which he hopes with time and effort would only grow better. He is pursuing his doctoral research in the discipline of Sociology, Jamia Millia Islamia on ‘Social Mobility among Flexible Workers’. His contemplations and challenges over instating true freedom where “one is able to become what they want to be” are at the heart of every pursuit in his life, his research interests span across social mobility and meta-ethics which he finds to be an essential yet often ignored aspect of moral philosophy. His intrigue entails moral language, moral psychology, moral etymology and moral behavior.